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There's Still Tomorrow ( Ce Ancora Domani) (Italian) Caloundra Tue Night

Tue, 22 Oct

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Caloundra

The biggest film in Italy beating even Barbie, There's Still Tomorrow is set in postwar 1940s Italy, and shot in B&W. It follows Delia, a housewife and mother who breaks her traditional family patterns and tries for a different future after receiving a mysterious letter."Storytelling with panache"

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There's Still Tomorrow ( Ce Ancora Domani) (Italian) Caloundra Tue Night
There's Still Tomorrow ( Ce Ancora Domani) (Italian) Caloundra Tue Night

Time & Location

22 Oct 2024, 7:00 pm – 9:00 pm

Caloundra, 2/11 Bulcock St, Caloundra QLD 4551, Australia

About the Event

There's Still Tomorrow movie trailer HERE

M.   2hrs. 

Director: Paola Cortellesi    Stars Paola Cortellesi  Furio Andreotti

Set in post war Italy, There's still Tomorrow is a triumph fo Director, Writer and Star Paolo Cortellesi and a total box office sensation in Italy where it was the highest grossing film of any kind when it was released there, beating some Hollywood and local heavyweights along the way.

Seeingly leading a traditional life, wife, mother of 3 , carer and cook for her father-in-law and someone who takes on extra work to make ends meet, Delia lives in fear of her husband Ivano who is dismissive, a drinker and no great thinker.

Her daughter is to marry a boy from the right side of the tracks and she too is dismissive of her mother even when she witnesses what she goes through. She is convinced she is to escape the servitude and life her mother has through her marriage.

In 1946 post war Italy a refererndum is being held that will give the chance for all women to vote.

A letter arrives at Delia's place which she must keep secret.

Winner : Audience Award, Best First Feature  Rome Film Festival.

19 Nominations 6 wins   David di Donatello Film Awards

"Thoughtful, emotionall satisfying and immensely entertaining." Joanthen Romney The Financial Times.

"Delightful." The Film Feeder

"Cortellesi’s charisma and the message of empowerment carry the film." The Observer

"This is storytelling with terrific confidence and panache."  The Guardian

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